UPDATE: The Target Practice Project now has its very own blog, where the work of participating artists will be featured. You can follow along here: http://thetargetpracticeproject.blogspot.com.
While other kids were out doing social
pre-teen things, I was being dragged around an archery trail or
instructed how to man a fishing rod stuffed into a sand spike. Such is
the life of a daughter of a sportsman. Of course there were other
things I would much rather have been doing, but those things didn't
matter and certainly nobody ever asked me about them. And I had
learned at a much younger age not even to bring them up. This is
because a parent afflicted with narcissism doesn't mirror back the
child to the child as is desirable and normal, so what the child
wants or needs simply doesn't matter. No, to a narcissistic parent,
the child IS the mirror, reflecting back the parent's own issues and
interests, in this case, bows and arrows, guns, fishing and camping
gear, and boats.
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Me in impossible shoes at the archery range at Ferry Point Park, Bronx, New York |
My father left behind all this stuff
when he passed away, at 90, in June of this year, but it was the tall
stack of 1960s archery targets from Sears Roebuck, hidden behind
some ancient fish coolers in the garage, that got my attention. As a
collagist, I am always on the lookout for old paper with interesting
patterns. Still, I didn't grab the targets right away. Instead, over
the next several weeks I entered into a polite hands-off relationship
with them, where I would nod in their direction as I entered and
exited my father's house to perform my clean-out chores. Under
self-scrutiny, I see that my relationship to the targets is not
unlike the adult relationship I had with my father, especially in
respect to my artwork, which he never once asked to see or even
noticed on the walls of my home. Just as my pre-teen essence was
irrelevant to my father, so was my adult essence. My father died
without ever acknowledging even a single product of my heart, spirit,
or hand.
|
Archery targets, vintage 1960s, from Sears, Roebuck & Co. |
But now I had these targets, and
something grand in me wanted to make the two divergent threads—one
of my artwork, one of my father—intertwine. You could say that I
saw redemption in the crosshairs. Time was offering me an opportunity
to create a congruence that had not existed in my life, and so I
pulled back the metaphorical bow string and shot the arrow. I snapped
some photos of the pile of targets, posted them on Facebook, and put
out a call to my artist friends both here in the States and
internationally. Who wanted to collage some targets? I started a
group on Facebook, called “Target Practice,” where people could
post their work. Within a few days I had mailed out almost 150
targets. Finished target collages have already started to roll back
in. It is amazing what artists are doing with them.
|
Targets on their way out the door |
These aren't memorials to the past,
just enchantment in the present. This gives me comfort and great hope.
|
Fred Free - "Good-By" |
|
Audrey Smith - "Bloom" |
|
David Huff - "The Medium is the Message" |
|
Marcela Perez Joyas Textiles -"Let's
Go Girls!" |
|
Cory Peeke - "On the Hunt...Brought
To You By Sears" |
|
Laura Tringali Holmes - "Wheel of Fortune" |
|
Nestow Sakaczbia - "To Be Or Not To Be" |
|
Denise Aumick |
|
Michael Church - "Cut" |
|
Andrew Lundwall |
|
John Andrew Dixon - "Friday, 1963" |
|
Stephen Boyling - "Target America" |
|
Amy Duncan - assemblage |
|
Robert Tucker - "Blare" |
|
Artificial-K-Bittle
|
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Jan Willem Kouwen
|
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Zach Collins |
|
Nikki Soppelsa |
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Nadja Voss - "Destiny" |
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Ana Gabino Gabino - "Sin Corazon" |
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Kathrin Diestel - "A Statement" |
|
Matt Taggart |
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Laura Tringali Holmes - "Wing Nut" |
|
Carl Heyward |
|
Andrew Lundwall |
|
Charlotte Dora |
|
Dianne Hoffman - Spellbound |
|
Ted Tollefson |