But I find myself, these days, returning to the humble (albeit labor-intensive) gel transfer for pure workability. In particular, there are no hard edges to figure out how to hide. Which can be a Big Thing. You know, you have something to say, and you want to say it, to flat-out-work-to-express that "something" to the best of your ability. Everything you know about various techniques cooks in the background (and I hasten to add that I love learning new techniques), but at the end of the day, it's not really about the techniques, is it?
Here's one of my recent collages that incorporates a gel transfer. That would be the lady, whose skin you can see through to the paper beneath. It's easy to lose count of the number of coats it takes for me to do a transfer (because there's so much drying time in between the multiple thin coats of the gel medium), but it's safe to say this one took at least half-a-dozen.
Big Blue Moon, 5 x 7 paper collage with mixed media. Laura Tringali Holmes, 2012 |
The photo is one from my personal collection. No idea who this lady is--I pulled her from a sun-scorched box at a flea market, and I'm delighted that I can keep her spirit alive in my work. The background paper is from a book of manners for French jeunes fille published in the 1800s. The moon is cut from handmade paper that has blue-next-to-green, my favorite color combination. The little text strip at the bottom is from a New York plantsman's catalog, also from the 1800s.
What you can't see is the sound that filled my ears while I was constructing this piece (in my loft, I typically work to a lovingly constructed iPod playlist, simply called "Collage"). Cheers in particular to Joni Mitchell's "Night Ride Home," and this lyric in particular:
Once in a while
In a big blue moon
There comes a night like this
Like some surrealist
Invented this 4th of July
As always, thanks for tuning in.
16 comments:
I find your method of gel transfer intriguing! I'm always interested in a new approach. I went back and read all your posts which included gel transfers. I'd like to learn more about this process. Could you post a more detailed, step by step instruction on how you do this? I would greatly appreciate it. Thanks! Your collages are wonderful.
Hi, Rob, and thanks for the kind words and the suggestion, which I take to heart. As soon as the heat clears from my loft (101+ today), I'll do a photo essay on my way with the process. It's simple--and you can take the results in a ton of different directions. Even the results that turn out different from those that are desired eventually find a place in the work, I have found. Fingers crossed for a cold front!
Hi Laura, it's nice to see you again! Gel transfering is something I just don't do enough. Thanks for the reminder. I hope the heat cools down soon!
Love the Big Blue Moon. See you in a couple of months!!
This piece is wonderful Laura! The face, the “blue moon” Everything about the composition is striking.
Hiya, Carole! I've been working on "balance" (fancy talk for lugging cans of water around to my thirsty plants and reading novels of questionable literary merit and staring into horizons)... which is why I'm been internet-absent. Good to see you again, too!
Hey, Shells! Thanks for commenting. Do you have firm dates yet for your travels?
Thank ya, Kanchan! Love your new photo, by the way!
Just lovely, all round.
All Round indeed, Loretta! Glad you enjoyed.
love your blue moon...
and guess what????
YOU WON... rose hips is yours!
PLEASE email me your addy xox
Laura, congratulations! ...your very own Caterina Rose Garden ♥ ;)...oh, i love 'big blue moon'
Caterina, just emailed you. With shaking fingers, I might add. The delight is crackling through me! Am clearing a prominent wall for Rose Hips so it will be properly displayed for everybody to enjoy. It's an incredible piece, and I am so happy to have won your kind contest. Thank you x what?...a million, I think!
Hey Moonskipper! Thanks for the comment about Blue Moon. And I am reeling with excitement over winning Caterina's giveaway. Her work always has me swooning!
I really like what you say, that it's not really about the techniques. I love the big blue moon collage, and Night Ride Home is one of my favorite Joni Mitchell songs- along with 500 or so others. i would also like to know more about your gel transfer method. Are you making a decal? great work!
It's kind of like a decal, Sharmon, in that you create something that is, at the end, free-standing, which means you can position it wherever you like within the work. It's a very easy process, and I will try to get to the tutorial for you and Rob mid-week. (I love the crickets chirping on Night Ride Home....)
Post a Comment